Some Approaches on the Great Godess Figure in Mythology and Visual Arts
Abstract
Greek mythology made the Earth a mother goddess, Geea or Gaia, the primordial deity who gave birth to all the other gods, and the concept is one of the most durable and consistent in the history of mankind, manifested in hundreds of variants, from Terra Mater of the Romans, to the mother goddesses - who personify the Earth, nature, fertility - present in the most varied cultures, spread in time and space. To think of the Earth as a superior entity, endowed with a life of its own, it is not specific only to ancient civilizations or the so-called neo-pagan cults, which are inspired by the ancient religions of nature. One of the most disturbing scientific theories on the biosphere is the one that conceives the Earth as a super-organism, capable of selfregulation, in order to ensure the right conditions life. The theory was developed by James Lovelock and Lynn Margulies in the 1970s and presented in the book Gaia: A New One perspective on life on Earth. But this is not the main subject of this paper, who has the purpose to give the readersan approach on some aspects of the Mother Godess in mythology with visual art representations.
About the Authors
L. S. Cuciuc RomanescuRomania
Laura Sînziana Cuciuc Romanescu, lecturer, PhD, Fine Arts Department
Aleea Universității nr.1, 900470, Constanța
Ö. Kaya
Turkey
Özlem Kaya, lecturer, PhD, Faculty of Fine Arts, Design and Architecture, Department of Textile and Fashion Design
Çevre Yolu Bulvarı, 19030 Çorum
References
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2. Cuciuc Romanescu L. S. Some Typologies and Artistic Representations of Medusa in Art History. In: Proceedings of the IXth International Symposium “Învăţământ, Cercetare, Creaţie – Education, Research, Creation”, May 29-31, 2018 Constanţa, Romania, pp. 147–154.
3. Harding M. E. Misterele femeii. Simboluri si ritualuri de ini-iere de-a lungul timpului. Ed. Herald, Bucureşti 2019, 288 p.
Review
For citations:
Cuciuc Romanescu L.S., Kaya Ö. Some Approaches on the Great Godess Figure in Mythology and Visual Arts. Universum Humanitarium. 2020;(2):66-79.